Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Gerard ter Borch the Younger
Memorial Portrait of Moses ter Borch (1645-1667).

ID: 93645

Gerard ter Borch the Younger Memorial Portrait of Moses ter Borch (1645-1667).
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Gerard ter Borch the Younger Memorial Portrait of Moses ter Borch (1645-1667).


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Gerard ter Borch the Younger

painted Mother Combing the Hair of Her Child. in 1652  Related Paintings of Gerard ter Borch the Younger :. | Three Figures conversing in an Interior, known as The Paternal Admonition | Seated girl in peasant costume, probably Gesina (1631-90), the painter's half-sister. | The Ratification of the Treaty of Munster, 15 May 1648 | Paternal Admonition | Luttekepoort vanuit de stad gezien. Techniek, afmetingen en verblijfplaats onbekend |
Related Artists:
Elie Pavil
1873-1948
Anthoni Schoonjans
(1655 - 13 August 1726) was a Flemish painter. He was born in Antwerp and became a pupil of Erasmus Quellinus II and his son Jan-Erasmus Quellinus. He travelled to Rome and like his teachers had done before him, joined the Bentvueghels with the nickname "Parrhasius" in 1674. In Rome he lived with Charles de Vogelaer in the via Margutta and later he lived from 1688-89 in the Corso, near the via di Ripetta. In 1695 he became court painter in Vienna, where he later died. During the course of his lengthy career he also worked in Antwerp, Riems, Lyon, Amsterdam, the Hague, Brno, Dusseldorf, Copenhagen, and Berlin.He is known for portraits and historical allegories, and was the teacher of Georg Gsell.
Gustave Le Gray
French Photographer, 1820-1884,French photographer, painter and teacher. He studied painting with Paul Delaroche until 1843. A study trip to Switzerland and Italy, financed by his parents, followed, but it was cut short by an untimely marriage in 1844, his sudden return to his family's home and the subsequent birth of two children in 1845 and 1846. Skilled in painting as an experimenter with pigments, he was attracted to the experimental side of the new paper negative processes available in France after 1847 and plunged into photography, probably to finance the burdens of the family life newly thrust upon him. His treatise, Trait? pratique de photographie sur papier et sur verre (1850), outlined his own variant of the dry waxed paper negative process using thinner paper, as well as a recipe for collodion on glass negatives rivalling that of the English inventor Frederick Scott Archer (see PHOTOGRAPHY,






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